Point Appertaining To Books Père Goriot (La Comédie Humaine #23)
| Title | : | Père Goriot (La Comédie Humaine #23) |
| Author | : | Honoré de Balzac |
| Book Format | : | Paperback |
| Book Edition | : | Deluxe Edition |
| Pages | : | Pages: 370 pages |
| Published | : | December 17th 1997 by W. W. Norton & Company (first published 1835) |
| Categories | : | Classics. Fiction. Cultural. France. European Literature. French Literature. Literature. 19th Century. Novels |
Honoré de Balzac
Paperback | Pages: 370 pages Rating: 3.85 | 43102 Users | 1707 Reviews
Narrative Concering Books Père Goriot (La Comédie Humaine #23)
Père Goriot is the tragic story of a father whose obsessive love for his two daughters leads to his financial and personal ruin. Interwoven with this theme is that of the impoverished young aristocrat, Rastignac, who came to Paris from the provinces to hopefully make his fortune. He befriends Goriot and becomes involved with the daughters. The story is set against the background of a whole society driven by social ambition and lust for wealth.
Declare Books To Père Goriot (La Comédie Humaine #23)
| Original Title: | Le Père Goriot |
| ISBN: | 039397166X (ISBN13: 9780393971668) |
| Edition Language: | English |
| Series: | La Comédie Humaine #23 |
| Characters: | Eugène de Rastignac, Père Goriot, Vautrin, Delphine de Nucingen, Henri de Marsay, Horace Bianchon, Béatrix de Rochefide, Frederic de Nucingen, Anastasie de Restaud, Vicomtesse de Beauseant |
| Setting: | Paris(France) |
Rating Appertaining To Books Père Goriot (La Comédie Humaine #23)
Ratings: 3.85 From 43102 Users | 1707 ReviewsAssess Appertaining To Books Père Goriot (La Comédie Humaine #23)
I am seventeen.There are a bunch of us in a nondescript classroom within an office building in the industrial northeast.It is our final day of Transcendental Meditation class and we are about to receive our mantra.One of the mentors, an old man (probably thirty years or less) leans over and whispers in my ear a short, unfamiliar sound.We are to fixate on it, repeat it, over and again, for eighteen minutes. We are instructed to rid ourselves of all other thoughts that attempt to creep in and toThis is a sad story set in early 19th century Paris. Like many tales from that period, there is something cautionary about it. The story revolves around Rastignac, an ambitious poor law student from Southern France, who aims to ascend the social ladder through liaisons with Parisian upper class women, and Goriot a man impoverished for the sake of his two ungrateful daughters, and to a lesser extent Vautrin, an ex-convict pursued by the police and sharing a boardinghouse with Rastignac and
Balzac is like that lusty, life-loving guy who sits in a bar and regales his audiences with stories. Sure, they're messy and could use editing, but there's no denying the sheer life force behind them. It took me a few pages to get into this book, but then I loved it. By the way, I read the Burton Raffel translation (in the Norton Critical Edition) and found it to be marvelous.
SCHMIDT: Last thing, if Mueller was looking at your finances and your family finances, unrelated to Russia is that a red line?HABERMAN: Would that be a breach of what his actual charge is?TRUMP: I would say yeah. I would say yes. By the way, I would say, I dont I dont I mean, its possible theres a condo or something, so, you know, I sell a lot of condo units, and somebody from Russia buys a condo, who knows? I dont make money from Russia. In fact, I put out a letter saying that I dont make
No doubts on my part. This novel deserves a 5-star rating. Challenge my rating if you want and I know I can defend it, tooth and nail.At first, this seems to be just a story of an old man, Pere Goriot and how he ends up in the pupper's grave despite being a rich businessman when he's still strong. His fault is that he loves and cares for his 2 spoiled uncaring ungrateful daughters who get all his riches and in the end don't even care going to his deathbed. However, that plot seems to be just
Money is life; money accomplishes everything. I recently worked as a slush pile reader for a literary magazine, sorting out the best stories from the flurry of submissions. Many of these were quite expertly writtensharp prose, snappy beginnings, intriguing plots, quirky characters, and all of the other boxes ticked. However, the lions share lacked something which I came to call weight.The stories never escaped the sense of airy insubstantiality that besets much fiction, that nagging and
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